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Recently, we’ve been exploring extended chords, and while we did touch on some altered chords, this is a fuller explanation with tips on how to avoid some common pitfalls with the naming conventions.
Welcome back. This is a continuation of our exploration of chord progressions in songs, both diationic (one key) and chromatic (more than one color, of key). It starts with an example by The Beatles, ...
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Players like Steve Hackett are masters of extended chords/harmony – here’s how you can use them too
The world of extended chords can appear quite unfathomable at times. The apparently benign 11th chord is a great example of this, as it falls between the cracks of many chord-naming conventions, ...
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